The Shave Clone Wars, Explained...
Born In East L.A. -- s/t cassette
I have to admit that I really didn’t follow the exploits of these PRE-replicants very closely, but my impression was that each faction seemed to capture some element of the original Shave mythos. To Live and Shave In L.A. 2 made a ham-fisted grab for sheer sonic brutality, while I Live In L.A. ran straight for the audience battering, and I Love L.A. took the route of the fatherband’s more detailed studio releases.
If this model holds up, then Born In East L.A. took the sound and feel of the Shave on their many deleted live tapes…bad fidelity, low turnout and unresponsive audience, and a sweet and humorous pathos in the face of chin-scratching apathy.
Starting with a blast of tape from Label Master Russ that sounds like an argument captured out a window on the streets below, SPITE label head Joel St. Germain adds the sounds of a delay pedal, a robot (?) and a Casio to the mix, UNIVAX-styled synth beeps and calculations over a rough foundation of hoarse voices and movements. It’s only 10 minutes, and comes on a very low-grade 60 minute tape, allowing you to interpret the next 50 minutes of after-show drinking and carousing for yourself. The audience sounds less than enthused, but I play this at least a couple times a week.
(TS: attribution for this item has been temporarily lost - we'll track the info down and award credit where due.)
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