Monday, July 30, 2007
I only saw four of Bergman's films during their American first-run engagements - Cries and Whispers, Scenes from a Marriage, The Serpent's Egg, and Autumn Sonata. Each seemed inexorable, pitiless. Brilliant... His is an almost insurmountable oeuvre.
(Above, Harriet Andersson as the title character in Bergman's 1953 reverie Summer with Monika, initially marketed in the States as an exploitation film. It made the rounds of the hamhock drive-in circuit for years.)
(Click the photo for a larger image.)
Hello Droogs, Kevin Drumm and I picked up our conversation - one that surges, drifts off, abates, and swells with elliptic certainty ever...
KSV 409: Merkwürdig Riechnerv 's No Knife to Twist is available now for digital cogitation and limited-ed CD levitation via KSV Bandcam...
Day Eight. Matte essays into razor tabletop. While I read from sliced divination, re-describe third outlet... TS