Forthcoming on KSV, Pt. 11
KSV 216: TSRP - Anonymity Mosh (2xCD)
101 Rehearsal Montage (17:45)
102 Version (29:01)
Disc Two
201 Performance (37:50)
202 Poor Dears (audience source) (15:43)
"Consider a tape - AFX, mainly killer - operating debut tracks pissed off after sparring with mood over turf and trippy classic cassette operators Basement Old Fused, classic, mysterious fused samples, an old East 90s tape of broad-shouldered snares and icepick subs. TSRP's shock-sync'd execution - the cuff-strafed Anonymity Mosh - fractures dread clusters of aesthetic atmospheres with resolute disorientation. Repeated images of hanging fog, gauze crow fog, wedding crow symbols and fog repetitions share withered stages with distressed Lolas lunging at transparent abstracts. Prototypes this unpredictable are usually invisible. Their "mere" invulnerability controls omnipresent, analytic close-ups from camera-step to contemplation violence. The force of Mosh kick-starts occupied tongues into merciless labourers."
Bauch, Battles Camera One, Issue #2, 2012.
TSRP:
Ryan Parrish: percussion.
Tom Smith: voice, electronics.
Tom Smith: voice, electronics.
Disc One
101 Rehearsal Montage (17:45)
102 Version (29:01)
Disc Two
201 Performance (37:50)
202 Poor Dears (audience source) (15:43)
Recorded by Claudia Franke (202) and Karl (the rest) on December 22, 2011
at Ryan’s rehearsal studio and Strange Matter, Richmond, Virginia.
Mastered by Linda, Viola & Uwe at Slab Alucard, Cluj-Napoca.
Sleeve design by Gaetao at Hockney Bomb, Richmond.
---
---
"Consider a tape - AFX, mainly killer - operating debut tracks pissed off after sparring with mood over turf and trippy classic cassette operators Basement Old Fused, classic, mysterious fused samples, an old East 90s tape of broad-shouldered snares and icepick subs. TSRP's shock-sync'd execution - the cuff-strafed Anonymity Mosh - fractures dread clusters of aesthetic atmospheres with resolute disorientation. Repeated images of hanging fog, gauze crow fog, wedding crow symbols and fog repetitions share withered stages with distressed Lolas lunging at transparent abstracts. Prototypes this unpredictable are usually invisible. Their "mere" invulnerability controls omnipresent, analytic close-ups from camera-step to contemplation violence. The force of Mosh kick-starts occupied tongues into merciless labourers."
Bauch, Battles Camera One, Issue #2, 2012.
Comments